A unique series specifically crafted to become digital art. The physical paintings are all acrylic on 18x24 canvas board—photographed, digitized, and animated before being minted as NFTs.
This conceptual series uses a reductionist approach with geometric forms to mimic natural elements. The work is meant to invoke a sense of paralysis felt during the global lockdown; a loss of control, a stillness immobilizing body and mind.
Details: 18x24, Acrylic on canvas board
Animated and minted into NFTs
Details: 18x24, Acrylic on canvas board
Animated and minted into NFTs
Details: 18x24, Acrylic on canvas board Animated and minted into NFTs
Static Horizon
The first completed work, and namesake in the series, Static Horizon aims to achieve the core concept, a feeling of stillness.
In our stillness there is a longing for a distant place, a desire for something natural and beautiful—and yet we ourselves feel cold, distant, and unattainable.
Static Horizon
The first completed work, and namesake in the series, Static Horizon aims to achieve the core concept, a feeling of stillness.
In our stillness there is a longing for a distant place, a desire for something natural and beautiful—and yet we ourselves feel cold, distant, and unattainable.
Breathing Underwater
A perilous weight on your lungs, an eerie quiet drums your ears—you fight for the surface, yet succumb to the undertow.
Breathing Underwater
A perilous weight on your lungs, an eerie quiet drums your ears—you fight for the surface, yet succumb to the undertow.
Impending Darkness
A dark sun rising. The concept of this work was to create a sense of calm, despite the feeling of doom.
Constructed in only two layers of paint, there is beauty in the simplicity of the execution, a welcome reprieve from our endless uncertainty.
Impending Darkness
A dark sun rising. The concept of this work was to create a sense of calm, despite the feeling of doom.
Constructed in only two layers of paint, there is beauty in the simplicity of the execution, a welcome reprieve from our endless uncertainty.
Static Horizon
The first completed work, and namesake in the series, Static Horizon aims to achieve the core concept, a feeling of stillness.
In our stillness there is a longing for a distant place, a desire for something natural and beautiful—and yet we ourselves feel cold, distant, and unattainable.
Impending Darkness
A dark sun rising. The concept of this work was to create a sense of calm, despite the feeling of doom.
Constructed in only two layers of paint, there is beauty in the simplicity of the execution, a welcome reprieve from our endless uncertainty.
Breathing Underwater
A perilous weight on your lungs, an eerie quiet drums your ears—you fight for the surface, yet succumb to the undertow.
Internal Distortion
By blocking off a linear slice of the painting and using a variety of mediums and heavy body acrylics, I intended to create a sense of depth that becomes almost voyeuristic.
A feeling that we're looking upon someone else's mirror, and peering into the chaos of their world.
Internal Distortion
By blocking off a linear slice of the painting and using a variety of mediums and heavy body acrylics, I intended to create a sense of depth that becomes almost voyeuristic.
A feeling that we're looking upon someone else's mirror, and peering into the chaos of their world.
Internal Distortion
By blocking off a linear slice of the painting and using a variety of mediums and heavy body acrylics, I intended to create a sense of depth that becomes almost voyeuristic.
A feeling that we're looking upon someone else's mirror, and peering into the chaos of their world.
Transference
During the pandemic, I thought a lot about how we share ourselves with the world. Whether the transfer of positive energy from one to another, or the transfer of a life threatening illness, we are innately connected and impactful to the world around us.
This work is meant to be a reflection on the infinite cycle of transmission.
Forced Inertia
The process by which I created this piece is indicative of the feeling I intended to portray. Taking large amounts of acrylic, I stabbed at the board with two brushes to create the paint's lift and build textures. Then I took sheets of sandpaper and scraped down the paint to give it a rough, sculptural aesthetic.
A physical, forceful process of offering abundance, then taking it away.
Transference
During the pandemic, I thought a lot about how we share ourselves with the world. Whether the transfer of positive energy from one to another, or the transfer of a life threatening illness, we are innately connected and impactful to the world around us.
This work is meant to be a reflection on the infinite cycle of transmission.
Transference
During the pandemic, I thought a lot about how we share ourselves with the world. Whether the transfer of positive energy from one to another, or the transfer of a life threatening illness, we are innately connected and impactful to the world around us.
This work is meant to be a reflection on the infinite cycle of transmission.
Forced Inertia
The process by which I created this piece is indicative of the feeling I intended to portray. Taking large amounts of acrylic, I stabbed at the board with two brushes to create the paint's lift and build textures. Then I took sheets of sandpaper and scraped down the paint to give it a rough, sculptural aesthetic.
A physical, forceful process of offering abundance, then taking it away.
Forced Inertia
The process by which I created this piece is indicative of the feeling I intended to portray. Taking large amounts of acrylic, I stabbed at the board with two brushes to create the paint's lift and build textures. Then I took sheets of sandpaper and scraped down the paint to give it a rough, sculptural aesthetic.
A physical, forceful process of offering abundance, then taking it away.